World Make Way – Art Inspired Poetry Edited by Lee Bennett Hopkins

WORLD MAKE WAY:
New Poems Inspired by Art
from The Metropolitan Museum of Art
Edited by Lee Bennett Hopkins
(Abrams BYR; $16.99, Ages 5-9)

 

World Make Way cover image of Cat Watching a Spider by Ōide Tōkō

 

A curious, crouching cat on the book’s cover immediately drew me into World Make Way: New Poems Inspired by Art from The Metropolitan Museum of Art edited by Lee Bennett Hopkins. Eighteen thoughtful and evocative poems and the accompanying works of art that prompted their creation kept me turning the pages. This beautiful collection is everything a poetry anthology for children should be: diverse, original and, as the title suggests, inspiring. In the book’s back matter I learned that Lee Bennett Hopkins, the editor of World Make Way, holds the Guinness Book of World Records citation for compiling the most anthologies for children, making him more than well-suited to spearhead this satisfying project in conjunction with the Met.

I appreciate the breadth of art that was selected and the variety of poems that were commissioned for World Make Way. There is something that will appeal to every reader who dives in, whether they like short, simple poems or those more complex and layered. There are serious poems and those that have fun with the reader like Marilyn Singer’s poem, Paint Me, the first in the book. In it the teen subject of Gustav Klimt’s portrait, Mäda Primavesi, bids the artist to make haste and finish up the painting because she’s such a busy person, hence the book’s title World Make Way, a line she utters in desperation! She has places to go. People to see. After all, if her family can afford to have Klimt paint her, she’s likely a socialite. Ultimately the book will show children how to look at art with fresh eyes and take from it something unique to them. Art evokes something different in each person who beholds it and the poems included perfectly capture that.

One particular poem that stayed with me was Young Ashoka Sundari by Amy Ludwig Vanderwater inspired by Shiva and Parvati Playing Chaupar: Folio from a Rasamanjari Series, 1694-95 by Devidasa of Nurpur. Her poem introduces readers to Ashoka who secretly observes her parents: I stand behind this neem tree / to watch my parents play / a game of chaupar / on a tiger rug / beneath bright mango sky. Offering a child’s perspective in her poem, Vanderwater helped me to have a lightbulb moment with the artwork. It’s not always about what we see when observing art, it’s also about what or who the artist left out, or where the scene is set. What a wonderful conversation starter! What does this art say to you? What do you think is happening here now? How does this picture make you feel? What might happen now that the child has witnessed this scene?

In my multiple readings I found myself wondering what I’d write about a certain piece of art such as Henri Rousseau’s The Repast of the Lion, but if I ever see the painting again, I’ll forever associate J. Patrick Lewis’s poem with it. Now that he’s fed and jaguar-full— / Finally his appetite is dull— And of Joan Bransfield Graham’s Great Indian Fruit Bat, a poem about a painting of the same name attributed to Bhawani Das or a follower, 1777-82  I marveled at her internal rhyme and alliteration. As my wings whisk me, swooping through / this black velvet night, who will admire / my elegant attire, the intricacy …  A bat’s point of view, fantastic!

Other featured poets are: Alma Flor Ada, Cynthia S. Cotten, Rebecca Kai Dotlich, Julie Fogliano, Charles Ghigna, Lee Bennett Hopkins, Irene Latham, Elaine Magliaro, Guadalupe Garcia McCall, Marilyn Nelson, Naomi Shihab Nye, Ann Whitford Paul, Carole Boston Weatherford and Janet Wong. Other featured artists are: Rosa Bonheur, Fernando Botero, Mary Cassatt, Liberale Da Verona, Leonardo Da Vinci, Han Gan, Martin Johnson Heade, Frank Henderson, Utagawa Hiroshige, Winslow Homer, Kerry James Marshall, José Guadalupe Posada and Ōide Tōkō.

While I can definitely see educators enjoying the book for its varying forms of poetry and the individual interpretations of the poets to accompany the magnificent works of art, I can also easily see a parent sharing the book before any museum visit or simply as a way to spark a child’s imagination. It certainly sparked mine.

  • Reviewed by Ronna Mandel

Read a review of another poetry collection here.

 

Visiting L.A. With Little Ones This Summer? Bring Along Los Angeles Is …

LOS ANGELES IS …
Written by Elisa Parhad
Illustrated by Alexander Vidal
(Cameron Kids; $12.95, Ages 0-4)

 

Los Angeles Is ... by Elisa Parhad cover illustration

 

If you’re planning to visit Los Angeles this summer or sometime soon, or perhaps you even live here, get yourself a copy of Los Angeles Is … by Elisa Parhad to experience the city in a fun new way. This original and engaging approach to L.A. in board book format is not only full of refreshing tour guide language little ones will love, but is spot on in its perspective. Los Angeles Is … looks at L.A. from two savvy insiders’ points of view (both author and illustrator are Angelenos) and highlights aspects of “one of America’s most iconic cities” that not all books touch upon. And I’m happy to say, it’s the first in a series of regional board books by Parhard with illustrator Alexander Vidal.

The 24 vibrantly colored pages and clever descriptions bring young readers on an enticing tour of the town taking in everything L.A. from surfing waves / fashion faves …

 

Interior illustrations waves and faves from Los Angeles Is ... by Elisa Parhad

Interior artwork from Los Angeles Is … written by Elisa Parhad and illustrated by Alexander Vidal, Cameron Kids/Cameron + Company ©2018.

 

… to citrus fruits / long commutes. The rhyme is perfectly paired with the pictures (as seen above and below) and rather than including only the same old expected spots and landmarks, there are lots of unexpected sights (late-night diners / mod designers) mixed with ones always worth noting (canyon views / movie crews). Another aspect of L.A. that we’d prefer to forget—long commutes—is also depicted because it’s part and parcel of daily life in the City of Angels.

 

Interior illustrations fruits and commutes from Los Angeles Is ... by Elisa Parhad

Interior artwork from Los Angeles Is … written by Elisa Parhad and illustrated by Alexander Vidal, Cameron Kids/Cameron + Company ©2018.

 

Parents will appreciate the realistic portrait of California’s biggest city while toddlers will like the upbeat rhythm and enchanting artwork. Illustrator and designer  Vidal captures the sunshine and sophistication of L.A. and its array of attractions in images familiar to many and warm and welcoming to others. Make a game out of reading Los Angeles Is … together with your child to try to name places and things to do from A-Z including airport, farmers market, orange orchard and Rodeo Drive.

 

Interior illustrations eats and feats from Los Angeles Is ... by Elisa Parhad

Interior artwork from Los Angeles Is … written by Elisa Parhad and illustrated by Alexander Vidal, Cameron Kids/Cameron + Company ©2018.

 

I found myself quite partial to Vidal’s characters and animals with their pointy legs and no feet yet somehow that style works wonderfully. I also enjoyed how everything else, whether palm-lined streets, food truck treats, low-ride cruising or poolside snoozing is depicted with bold graphic shapes such as ovals, rectangles, circles and squares, maybe not intentionally done as a learning tool, but still ideal for pointing out to little ones.

I recommend picking up a copy of Los Angeles Is … to make any visit more meaningful to youngsters and, while you’re at it, get an extra copy for a friend with children four and under. I know you’ll find it as delightful as I did.

  • Reviewed by Ronna Mandel

Read a review of another travel-themed board book here.

 

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